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Introduction by Jeffrey F. Hamburger The Place of Theology in MedievalArt History: Problems, Positions, Possibilities by Jeffrey F. HamburgerAnthropology and the Use of Religious Images in the Opus Caroli Regis (LibriCarolini) by Karl F. Morrison Replica: Images of Identity and the Identityof Images in Prescholastic France by Brigitte Miriam Bedos-Rezak Is There aTheology of the Gothic Cathedral? A Re-reading of Abbot Suger's Writings onthe Abbey Church of St.-Denis by Andreas Speer Christ and the Vision of God:The Biblical Diagrams of the Codex Amiatinus by Celia Chazelle Raban Maur,Bernard de Clairvaux, Bonaventure: expression de l'espace et topographiespirituelle dans les images medievales by Christian Heck Typology and ItsUses in the Moralized Bible by Christopher Hughes L'Exception corporelle: apropos de l'Assomption de Marie by Jean-Claude Schmitt Theologians asTrinitarian Iconographers by Bernard McGinn Seeing and Seeing Beyond: TheMass of St. Gregory in the Fifteenth Century by Caroline Walker Bynum PorousSubject Matter and Christ's Haunted Infancy by Alfred Acres Love's Arrows:Christ as Cupid in Late Medieval Art and Devotion by Barbara Newman MovingImages in the Mind's Eye by Marty Carruthers Vox Imaginis: Anomaly andEnigma in Romanesque Art by Anne-Marie Bouche Seeing as Action and Passionin the Thirteenth and Fourteenth Centuries by Katherine H. Tachau "As far asthe eye can see...": Rituals of Gazing in the Late Middle Ages by ThomasLentes The Medieval Work of Art: Wherein the "Work"? Wherein the "Art"? byJeffrey F. Hamburger Turning a Blind Eye: Medieval Art and the Dynamics ofContemplation by Herbert L. Kessler