著者紹介

内容

目次

List of illustrations; Contributors; Foreword: outside views of theJapanese film Donald Richie; Introduction Carole Cavanaugh and DennisWashburn; Part I. Wording the Image/Imaging the Word: 1. The word before theimage: criticism, the screenplay, and the regulation of meaning in prewarJapanese film culture Aaron Gerow; 2. The cinematic art of Higuchi Ichiyo'sTakekurabe (comparing heights, 1895-1896) Janet Walker; 3. Once More andGosho's Romanticism in the Early Occupation Period Arthur Nolletti, Jr.; 4.The taunt of the Gods: reflections on Woman in the Dunes Linda C. Ehrlich andAntonio Santos; 5. Adapting The Makioka Sisters Kathe Geist; 6. In the showhouse of modernity: exhaustive listing in Itami J-zo's Tanpopo Charles ShiroInouye; Part II. Reflections of Identity: 7. Where's mama? The sobbing Yakuzaof Hasegawa Shin Alan Tansman; 8. Saving the children: films by that most'casual' of directors, Hiroshi Shimizu Keiko I. McDonald; 9. Ishihara Y-jiro:youth, celebrity, and the male body in late 1950s Japanese culture MichaelRaine; 10. Otoko wa tsurai yo: nostalgia or parodic realism? RichardTorrance; 11. A working ideology for Hiroshima: Imamura Shohei's Black RainCarole Cavanaugh; Part III. Outside the Frame of Culture: 12. Piss and run:or how Ozu does a number on SCAP Edward Fowler; 13. In the realm of thecensors: cultural boundaries and the poetics of the forbidden Leger Grindon;14. The arrest of time: the mythic transgressions of Vengeance Is Mine DennisWashburn; 15. The frenzy of metamorphosis: the body in Japanese pornographicanimation Susan J. Napier; Selected bibliography of articles and books inEnglish; Index.