Melamed, Daniel R. 　著

内容

目次

List of tables; List of music examples; List of figures; Preface; Listof abbreviations; Introduction; Part I. The Term and Concept 'Motet':1. The term 'motet' in the first half of the eighteenth century; 2. J.S. Bach's use of the term 'motet'; Part II. Bach's Motets: 3. Bach'smotets and their relation to the genre; 4. Bach's earlier motets:rethinking authorship and dating; 5. Bach's later motets: rethinkingcompositional history; 6. Chronology, style, and performance practiceof Bach's motets; Part III. Motet Style in Bach's ConcertedCompositions: 7. The concept of the motet-like movement; 8. Motet stylein Bach's church cantatas; 9. Motet style in Bach's Latin works andoratorios; 10. Bach's use of motet style in concerted works; Part IV.Bach's Contact with Seventeenth-Century Motets: 11. The history of theAltbachisches Archiv; 12. J. S. Bach and the Altbachisches Archiv; 13.Sebastian Knupfer, 'Erforsche mich, Gott'; Appendix; Bibliography;Index of J. S. Bach's works; Index of manuscript music sources; GeneralIndex.