English Choral Practice, 1400-1650. (Cambridge Studies in Performance Practice, 5) hardcover 260 p., 22 tables, 2 halftones.
内容
目次
1. To chorus from quartet: the performing resource for English churchpolyphony, c. 1390-1559; 2. Editing and performing musica speculativa;3. The sound of Latin in England before and after the Reformation; 4.English pronunciation c. 1500-c. 1625; 5. Byrd, Tallis and Ferrabosco;6. John Baldwin and changing concepts of text underlay; 7. Sacred songsin the chamber; 8. The education of choristers in England during thesixteenth century; 9. The 'burden of proof': the editor as detective.
