内容

目次

"Mad" Blake; Marxist criticism - Blake and the Radical tradition,London; "history from the bottom up" and the new historicism; Blake and artcriticism; feminism and psychoanalytic criticism; language anddeconstruction; reader-response theory; the divine image, E.P. Thompson;dangerous enthusiasm, John Mee; infinite London, David Erdman; producers anddevourers, Stewart Crehan; "Jerusalem" and nationalism, Susan Matthews;"original", "character" and "individual", John Barrell; a new mode ofprinting, Kathleen Raine; Blake, women, and sexuality, Brenda S. Webster;female subjectivity and the desire of reading (in)to Blake's "Book of Thel",Gerda S. Norvig; who didn't kill Blake's fly - moral law and the rule ofgrammar in "Song of Experience", Michael Simpson; Blake's "Songs of Innocenceand Experience", Matt Simpson.