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Contents List of Illustrations Acknowledgments AbbreviationsIntroduction 1. Representations: The Dissection Scene--An IconographicInvestigation The Quodlibetarian Model: The Title Pages of Mondino deiLiuzzi's "Anatomia" The Persistence of a Model: Berengario da Carpi ATransitional Iconography? The Shift: The Title Page of Andreas Vesalius's"De humani corporis fabrica" Images of Dissection in the Vesalian "Manner"2. Practices: Norms and Behavior at the Public Anatomy Lesson--The StudiumUrbis in the Sixteenth Century Between the Curia and the College: A Portraitof the Physician Preliminary Procedures and Public Control The AnatomyLesson and a Bit of History The Selection of the Cadaver: Explicit Criteriaand Implicit Caution Around the Cadaver: Before and after the AnatomyMasses and Alms: Dissection and the Afterlife Between Saying and Doing 3.Tradition: An Archeology of Anatomical Knowledge and of Dissecting PracticesPhysicians and Philosophers Working on the Discovery of the Body, or the Usesof Anatomy Unveiling: Dissecting Animals, Dissecting Humans A Paradigm fora Millennium Unease, Disgust, Contempt: Aristotle, the Empiricists andChristians on the Dissection of the Human Body The Rebirth of Anatomy 4.Bodies and Texts: Renaissance Anatomy: Dissection and Anatomical Knowledge inthe Fifteenth and Sixteenth Centuries The Dismemberment of CadaversAuthority and Evidence Limitations of Belief: Vesalius, Galen, the GalenistsRevulsion and Unease Epilogue Appendix Notes Bibliography Index