内容

目次

Introduction * The Imagination of Pop-Rock Criticism, Nadine Hubbs * Politics and Musical Expression * Music, Contexts, and Meaning in U2, Susan Fast * From L'ftranger to "Killing and Arab": Representing the Other in a Cure Song, Ellie Hisama * :Style Studies in Progressive Rock and Jazz-Rock Fusion * Large-Scale Strategy and Compositional Design in the Early Music of Genesis, Mark S. Spicer * Jazz-Rock? Rock-Jazz? Stylistic Crossover in Late 1970s American Progressive Rock, John Covach * Frank Zappa's Recompositions * Frank Zappa's "The Black Page": A Case of Musical "Conceptual Continuity," James Borders * The Musical World(s?) of Frank Zappa: Some Observations of His "Crossover" Pieces, Jonathon W. Bernard * Rock Music and Linear Analysis * Analytic Methodologies for Rock Music: Harmonic and Voice-Leading Strategies in Tori Amos's "Crucify," Lori Burns * Fumbling Towards Ecstasy: Voice-Leading, Tonal Structure, and the Theme of Self-Realization in the Music of Sarah McLachlan, Timothy Koozin * Conclusion * Confessions from Blueberry Hill, or, Pitch Can Be a Sticky Substance, Walter Everett * Volume 2, Studies in Contemporary Music and Culture