目次

Contents: Preface; Part I Osakan Modernity: the Context: Locating the musics of modern Osaka, Hugh de Ferranti and Alison Tokita; Aural Osaka: listening to the modern city, Jeffrey E. Hanes. Part II Creation of a Modern Musical Culture: Marketing the performing arts in Osaka before the 20th century, Gerald Groemer; The growth of Western art music appreciation in Osaka during the 1920s, Ueno Masaaki; The piano as symbol of modernity in prewar Kansai, Alison Tokita. Part III Making and Remaking Music Traditions: Naniwa-bushi and social debate in two postwar periods: the Russo-Japanese War and the First World War, Manabe Masayoshi; Tateyama Noboru: Osaka , modernity and bourgeois musical realism for the Koto, Philip Flavin; Modern forms of Biwa music in Osaka and the Kansai region, Silvain Guignard and Komoda Haruko; An alternative Gagaku tradition: the Garyokai and modern Osaka, Terauchi Naoko. Part IV Hybridity in Kansai Musical Culture: Takarazuka and Japanese modernity, Watanabe Hiroshi; Shochiku girls’ opera and 1920s Dotonbori jazz, Hosokawa Shuhei. Part V Osaka and Beyond: Ethnic Minorities and Metropolitan East Asia: Music-making among Koreans in colonial-era Osaka, Hugh de Ferranti; Music and performing arts of the Okinawans in interwar Osaka, Kuriyama Shin’ya; The creation of exotic space in Miyako-odori: 'Ryukyu' and 'Chosen', Hiroi Eiko; Osaka and Shanghai: revisiting the reception of Western music in metropolitan Japan, Iguchi Junko; Index.