目次

Table of Contents: Introduction: Dan Karlholm and Keith Moxey Part I. Historical Time Chapter 1: Is History to Be Closed, Saved, or Restarted? Considering Efficient Art HistoryDan Karlholm Chapter 2: What Time is it in the History of Art? Keith Moxey Part II: Post-Colonial Time Chapter 3: Time processes in the history of the Asian ModernJohn Clark Chapter 4: Colonial Modern: A Clash of Colonial and Indigenous ChronologiesPartha Mitter Chapter 5: Artists, amateurs and the pleated time of Ottoman modernityMary Roberts Chapter 6: The Time of Translation: Victor Burgin and Sedad Eldem in Virtual ConversationEsra Akcan Part III: Artist's Time Chapter 7: Arresting What Would Otherwise Slip Away: The Waiting Images of Jacob Vrel Hanneke Grootenboer Chapter 8: Twisted Time: Fernando Bryce’s Art of HistoryMiguel Ángel Hernández Navarro Part IV: Narrative Time Chapter 9: Heterochronies: The Gospel According to Caravaggio Giovanni Careri Part V: Ontological Time Chapter 10: The Phenomenal Sublime: Time, Matter, Image in Mesopotamian AntiquityZainab Bahrani Chapter 11: Resisting Time: On How Temporality Shaped Medieval Choice of MaterialsAvinoam Shalem Chapter 12: Sarah Sze’s The Last Garden and the Temporality of WonderChristine Ross Part VI: Photographic Time Chapter 13: Showtime and Exposure Tie. The Contradictions of Social Photography and the Critical Role of Sensitive Plates for Rethinking the Temporality of ArtworksEmmanuel Alloa Chapter 14: ‘Objects moving are not impressed’: Reading into the blurAmelia Groom