目次

1. Positions and Perspectives on Pronouns in Literature: The State of the Subject; Alison Gibbons and Andrea Macrae.- 2. “I am thy father’s spirit”: The First-Person Pronoun and the Rhetoric of Identity in Hamlet; Katie Wales.- 3. “We have tomorrow bright before us like a flame”: Pronouns, Enactors, and Cross-Writing in The Dream Keeper and Other Poems; Marcello Giovanelli.- 4. Positioning the Reader in Post-Arpartheid Literature of Trauma: I and You in Zoe Wicomb’s David’s Story; Andrea Macrae.- 5. Autonarration, I, and odd address in Ben Lerner’s Autofictional Novel 10:04; Alison Gibbons.- 6. Placements and Functions of Brief Second-Person Passages in Fiction; Joshua Parker.- 7. On the Interpretive Effects of Double Perspective in Genitive Constructions; Helen de Hoop and Kim Schreurs.- 8. They-Narratives; Jan Alber.- 9. The observing we in literary representations of neglect and social alienation: Types of narrator involvement in Janice Galloway’s “Scenes from the life no. 26: The community and the senior citizen” and Jon McGregor’s Even the Dogs; Catherine Emmott.- 10. Let Us Tell You Our Story: We-Narratives and its Pronominal Peculiarities; Monika Fludernik.- 11. Multi-Teller and Multi-Voiced Stories: The Poetics and Politics of Pronouns; Marina Grishakova.- 12. Pronouns in Literary Fiction as Inventive Discourse; Henrik Skov Nielsen.- 13. Postscript: Unusual Voices and Multiple Identities; Brian Richardson.-