| 
 41  | 
 TERASAWA, YOSHIO  | 
 In Memoriam Michio Masui  | 
| 
 TAKAHASHI, HISASHI  | 
 A Select List of Publications of Michio Masui  | 
|
| 
 BREWER, DEREK  | 
 Professor Michio Masui  | 
|
| 
 ONO, SHIGERU  | 
 Grendel's Not Greeting the Gifstol Reconsidered -- with Reference to * Motan with the Negative --  | 
|
| 
 NAKAO, YOSHIYUKI  | 
 A Note on the Affectivity of Criseyde's pite  | 
|
| 
 NOGUCHI, SHUNICHI  | 
 Prayers in Chaucer's Knight's Tale  | 
|
| 
 SAITO, ISAMU  | 
 Chaucer's Kneeling Friar  | 
|
| 
 YUASA, NOBUYUKI  | 
 The Art of- Naming: A Study of Fictional Names as an Element of Style in Chaucer, Spenser and Shakespeare  | 
|
| 
 YOSHINAKA, TAKASHI  | 
 'Emblemes limmed in liuely colours': Peacham's Aesthetic Emblems  | 
|
| 
 SHITAKA, HIDEYUKI  | 
 The Son of God, the Aeneid, and the Bible in Paradise Lost  | 
|
| 
 AGARI, MASAHIKO  | 
 Satan's Language  | 
|
| 
 TANAKA, TOSHIRO  | 
 Double Negation in Jane Austen  | 
|
| 
 BRINKMANN, HENNIG  | 
 Gedanken und Gestalten in der Erforschung des Mittelalters -- Aus den wissenschaftlichen Memoiren eines deutschen Mediävisten --  | 
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| 
 
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| 
 42  | 
 STANLEY, E. G.  | 
 The Dialect Origins of Late Old English Verse  | 
| 
 BURNLEY, DAVID  | 
 Style, Meaning and Communication in Sir Gawain and the Green Knight  | 
|
| 
 SARGENT, MICHAEL G.  | 
 Versions of the Life of Christ: Nicholas Love's Mirror and Related Works  | 
|
| 
 ROPER, GREGORY  | 
 The Middle English Lyric "I", Penitential Poetics, and Medieval Selfhood  | 
|
| 
 WILSON, ROB  | 
 Meditation as Symbolic Action: Wallace Stevens & Christian Interiority  | 
|
| 
 SAUER, HANS  | 
 The American Black English of Alice Walker's Novel The Color Purple: Its Structure and Status  | 
|
| 
 
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| 
 43  | 
 KIKUCHI, KIYOAKI  | 
 Aspects of Repetitive Word Pairs  | 
| 
 DIMASSA, MICHAEL V.  | 
 Malory's Courteous Knights?: Gareth, Launcelot, and the Disintegration of Courtesy in the Morte Darthur  | 
|
| 
 PHILLIPS, HELEN  | 
 Aesthetic and Commercial Aspects of Framing Devices: Bradshaw, Roos and Copland  | 
|
| 
 MIDGLEY, NICK  | 
 Yeats and the Elements  | 
|
| 
 HOFFMANN, WERNER  | 
 Rhythmus ohne Reim. Zu den 'Tristan'-Übersetzungen Dieter Kühns und Wolfgang Spiewoks  | 
|
| 
 
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| 
 44  | 
 Special Issue: Japanese and English Literature in Comparative Perspective  | 
|
| 
 KAWAMOTO, KOJI  | 
 Preface  | 
|
| 
 HO, CYNTHIA  | 
 Old "Wives" and Their Sources: The Wife of Bath, The Romance of the Rose, Genji Monogatari, and Ise Monogatari  | 
|
| 
 WHEELER, BONNIE  | 
 Grammar, Genre, and Gender in Geoffrey Chaucer and Murasaki Shikibu  | 
|
| 
 WATSON, MICHAEL  | 
 Genre, Convention, Parody, and the 'Middle Flight': Heike Monogatari and Chaucer  | 
|
| 
 STEVENSON, BARBARA  | 
 West Meets East: Geoffrey Chaucer's "Franklin's Tale" and the Japanese "Captain of Naruto"  | 
|
| 
 HUGHES, GEORGE  | 
 Lafcadio Hearn: Between Britain and Japan  | 
|
| 
 HANSON, LARRY  | 
 The Divided Self in Tanizaki and Stevenson  | 
|
| 
 COLLINGTON, STEPHEN  | 
 The Irogonomi's New Clothes: A Heroic Ideal and Its "Exposure" in Torikaebaya Monogatari  | 
|
| 
 
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| 
 45  | 
 PICKERING, O. S.  | 
 The South English Legendary: Teaching or Preaching?  | 
| 
 TAGUCHI, MAYUMI  | 
 The Legend of the Cross before Christ: Another Prose Treatment in English and Anglo-Norman  | 
|
| 
 TAKAMIYA, TOSHIYUKI  | 
 Chapter Divisions and Page Breaks in Caxton's Morte Darthur  | 
|
| 
 BLAKE, N. F.  | 
 Lexical Links in Shakespeare  | 
|
| 
 YOSHINAKA, TAKASHI  | 
 'Thy beauty's form in table of my heart': Theories of Vision in Shakespeare's Sonnets  | 
|
| 
 BRINKMANN, HENNIG  | 
 Das Wesen der Dichtung in der deutschen Literaturwissenschaft meiner Zeit  | 
|
| 
 
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| 
 46  | 
 Special Issue: New Developments in the Study of Metaphor  | 
|
| 
 IKEGAMI, YOSHIHIKO  | 
 Introduction  | 
|
| 
 YAMANASHI, MASA-AKI  | 
 Spatial Cognition and Egocentric Distance in Metaphor  | 
|
| 
 TSUJI, YUKIO  | 
 A Note on the Cognitive Theory of Metaphor and Emotive Language  | 
|
| 
 NOMURA, MASUHIRO  | 
 The Ubiquity of the Fluid Metaphor in Japanese: a Case Study  | 
|
| 
 KAWAKAMI, SEISAKU  | 
 Metaphor and Metonymy in Japanese Nicknames  | 
|
| 
 IKEGAMI, YOSHIHIKO  | 
 Some Traditional Japanese Visual Tropes and their Perceptual and Experiential Bases  | 
|
| 
 SUGENO, TATEKI  | 
 Metonymy as the Primary Trope  | 
|
| 
 OMORI, AYAKO  | 
 Meaning and Metaphor  | 
|
| 
 ARIMA, MICHIKO  | 
 Japanese Haiku vs. English Haiku vs. Concrete Poetry  | 
|
| 
 
  | 
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| 
 47  | 
 BOITANI, PIERO  | 
 Dante's Sublime: Ancient, Medieval and Modern -- For Shinsuke Ando  | 
| 
 YOSHIKAWA, NAOË KUKITA  | 
 The Bride of Christ: The Iconography of Mary Magdalen and Cistercian Spirituality  | 
|
| 
 TAAVITSAINEN, IRMA  | 
 Genres and Text Types in Medieval and Renaissance English  | 
|
| 
 FUKUCHI, AKIKO  | 
 Wordsworth's The Recluse: A Poem of Growth toward His 'Paradise Within'  | 
|
| 
 SCHMID, HANS-JÖRG  | 
 The Historical Development and Present-day Use of the Noun idea as Documented in the OED and Other Corpora  | 
|
| 
 HENNE, HELMUT  | 
 Jugend, Sprache und Innovation  | 
|
| 
 
  | 
||
| 
 48  | 
 Special Issue: Shakespeare's Plutarch edited by Mary Ann McGrail  | 
|
| 
 Introduction  | 
||
| 
 McGRAIL, MARY ANN  | 
 The Anachronism of Source Criticism: Shakespeare's Plutarch  | 
|
| 
 Section I: Plutarch in the Roman Plays  | 
||
| 
 PELLING, CHRISTOPHER  | 
 The Shaping of Coriolanus: Dionysius, Plutarch, and Shakespeare  | 
|
| 
 WOFFORD, SUSANNE L.  | 
 Antony's Egyptian Bacchanals: Heroic and Divine Impersonation in Shakespeare's Plutarch and Antony and Cleopatra  | 
|
| 
 CANTOR, PAUL A.  | 
 Shakespeare's Parallel Lives: Plutarch and the Roman Plays  | 
|
| 
 COOK, ALBERT  | 
 The Transmutation of Heroic Complexity: Plutarch and Shakespeare  | 
|
| 
 Section II: Plularch Traces Elsewhere  | 
||
| 
 MOSSMAN, JUDITH  | 
 Plutarch and Shakespeare's Henry IV parts 1 and 2  | 
|
| 
 BRIGGS, JOHN C.  | 
 Within Athens' Shadow: The Ghost of Plutarch in Shakespeare's Timon of Athens  | 
|
| 
 VELZ, JOHN W.  | 
 The "Mutual Pair" in Plutarch and Shakespeare  | 
|
| 
 TAKADA, YASUNARI  | 
 Shakespeare's Cicero  | 
|
| 
 Section III: From Plagiaries to Sources and lntertextuality  | 
||
| 
 McGRAIL, MARY ANN  | 
 From Plagiaries to Sources  | 
|
| 
 DENTON, JOHN  | 
 Plutarch, Shakespeare, Roman Politics and Renaissance Translation  | 
|
| 
 HÖFELE, ANDREAS  | 
 Twentieth-Century Intertextuality and the Reading of Shakespeare's Sources  | 
|
| 
 
  | 
||
| 
 49  | 
 GHOSH, KANTIK  | 
 Contingency and the Christian Faith: William Woodford's Anti-Wycliffite Hermeneutics  | 
| 
 O'MARA, V. M.  | 
 "Perauenture the wynde had blowe ouer the leef": Caxton, The Dicts and Sayings of the Philosophers, and the Woman Question  | 
|
| 
 MUKAI, TSUYOSHI  | 
 Richard Pynson's 1526 Edition of The Parliament of Fowls: Textual Editing from Multiple Sources*  | 
|
| 
 ARCHIBALD, ELIZABETH  | 
 "The Price of Guilt": The Incest Theme in Thomas Hughes's The Misfortunes of Arthur  | 
|
| 
 FUWA, YURI  | 
 Metaphors of Confusion: Incest and Illegitimacy in Thomas Hughes's The Misfortunes of Arthur (1588)  | 
|
| 
 SCHNEIDER, KARL  | 
 On some Onomatopoetic Elements in the Textual Formulation of the Bëowulf Epic  | 
|
| 
 SCHERNER, MAXIMILIAN  | 
 Die sprachtheoretische Position Hermann Ammanns. Ein Beitrag zur Historiographie der Linguistik  | 
|
| 
 
  | 
||
| 
 50  | 
 Special Issue in Celebrlation of the Twenty-Fifth Anniversary  | 
|
| 
 Editorial.  | 
||
| 
 Part I -- Medieval and Comparative Studies  | 
||
| 
 ROBINSON, FRED C.  | 
 Philological Criticism  | 
|
| 
 PEARSALL, DEREK  | 
 The Future of Chaucer Studies  | 
|
| 
 STANLEY, ERIC G.  | 
 "Rithme royall, & surely it is a royall kinde of verse, seruing best for graue discourse": but not always best in Bodleian MS Arch. Selden B.24, and not always best transmitted in The Kingis Quair  | 
|
| 
 BREWER, DEREK  | 
 Literary Studies As a University Discipline -- English for Example  | 
|
| 
 VALDÉS, MARIO J.  | 
 The Hermeneutics of Comparative Literary History  | 
|
| 
 YAMANOUCHI, HISAAKI  | 
 The Spleen of London 1900-1902: A Japanese Writer's Encounter with Late Victorian English Culture  | 
|
| 
 Part II -- Multiculturalism South: New Cultural Perspectives from Oceania  | 
||
| 
 WILLIAMS, MARK  | 
 Preface  | 
|
| 
 NEILL, MICHAEL  | 
 Shakespeare Upside Down  | 
|
| 
 FROW, JOHN  | 
 Multiculturalism: The Politics of Cultural Diversity  | 
|
| 
 ECKERSALL, PETER A.  | 
 Multiculturalism and Contemporary Theatre Art in Australia and Japan  | 
|
| 
 WALWICZ, ANIA  | 
 The Sense of Place  | 
|
| 
 HAGE, GHASSAN  | 
 Multicultural Zoology: The Pro-Asian Manual for the Display of Ethnics  | 
|
| 
 IHIMAERA, WITI  | 
 And Then There's Us: A Maori Perspective  | 
|
| 
 O'SULLIVAN, VINCENT  | 
 Portraying the Other  | 
|
| 
 WILLIAMS, MARK  | 
 Islands in the Rain: Race, Authenticity and the Politics of Biculturalism  | 
|
| 
 
  | 
||
| 
 51  | 
 HOROBIN, SIMON  | 
 Linguistic Features of the Hammond Scribe  | 
| 
 LEWIS, CELIA M.  | 
 "Lawghyng and Smylyng Amonge Them": Humor in Malory's Morte Darthur  | 
|
| 
 WILKINSON, VALERIE ANNE  | 
 Malory's "Tournament of Surluse"  | 
|
| 
 KOBAYASHI, YOSHIKO  | 
 Spenser's Defense of Mythical History: Briton moniments in The Faerie Queene, Book II  | 
|
| 
 POULTON, CODY  | 
 Virtual Europe or Postmodernism Postponed  | 
|
| 
 
  | 
||
| 
 52  | 
 Special Issue in Comparative Literature and Culture  | 
|
| 
 Introduction  | 
||
| 
 JONES, SUMIE  | 
 Accommodations of Cultural Studies to East Asian Comparative Literature  | 
|
| 
 KIM, UCHANG  | 
 Asian Subjectivity and Multiculturalism  | 
|
| 
 JONES, SUMIE  | 
 Overtext: a Theory of Reading and Writing in Early Modern Literature and Arts  | 
|
| 
 KAWAMOTO, KOJI  | 
 Pun's Not Just for Fun: Towards a Poetics of Kakekotoba  | 
|
| 
 CHEN, XIAOMEI  | 
 Can Tiananmen Theater Go Global? -- A Case of "Cltural Studies" from a Non- Western Perspective  | 
|
| 
 CHOI, KYEONG-HEE  | 
 Another Layer of the Pro-Japanese Literature: Ch'oe Chonghui's "The Wild Chrysanthemum"  | 
|
| 
 SUGIYAMA, NAOKO  | 
 Shojo Shosetsu and the Japanese Literary Tradition  | 
|
| 
 
  | 
||
| 
 53  | 
 MORIYA, YASUYO  | 
 The Role of the Sound r in the Meter of The Alliterative Morte Arthure  | 
| 
 KATO, TAKAKO  | 
 Irregular Textual Divisions in Caxton's Morte Darhur: Paraphs and Chapter Divisions  | 
|
| 
 HARADA, NORIYUKI  | 
 From Verse to Prose: Samuel Johnson's Failure in Irene Reconsidered  | 
|
| 
 OKOCHI, SHO  | 
 Governing Imagination: the Aesthetic Moment in the Works of Hume, Adam Smith, and Burke  | 
|
| 
 EOYANG, EUGENE  | 
 The Ethics and Aesthetics of Literature: a Comparative Perspective  | 
|
| 
 
  | 
||
| 
 54  | 
 Special Issue: The Romantic Poetic Text  | 
|
| 
 BRADSHAW, MICHAEL Foreword  | 
||
| 
 BEER, JOHN  | 
 Romanticism at the Turn of a Century and of a Millennium  | 
|
| 
 WORDSWORTH, JONATHAN  | 
 A tale of two Strangers  | 
|
| 
 YOSHIKAWA, SAEKO  | 
 Traveller and Dweller: Wordsworth in Grasmere  | 
|
| 
 STEPHEN, CHEEKE  | 
 Genere, Romanticism and Shelley's The Triumph of Life  | 
|
| 
 ALVEY, MIYAMOTO, NAHOKO  | 
 Love as Infection:Hybridity and Multiple Idealisms in Prometheus Unbound  | 
|
| 
 BRADSHAW, MICHAEL  | 
 Burying and Praising the Minor Romantic: The Case of Geoorge Darley  | 
|
| 
 
  | 
||
| 
 55  | 
 STANLEY, ERIC G.  | 
 Celebrating English Nationhood  | 
| 
 MINNIS, ALASTAIR J.  | 
 'Goddes Speken in Amphibologies': the Ambiguous Future of Chaucer's Knight's Tale  | 
|
| 
 WETHERBEE, WINTHROP  | 
 Chaucer and the Tragic Vision of Life  | 
|
| 
 COOPER, HELEN  | 
 Chaucer's Self-Fashining  | 
|
| 
 MATSUDA, TAKAMI  | 
 The Summoner's Prologue and the Tradition of the Vision of the Afterlife  | 
|
| 
 KOBAYASHI, YOSHIKO  | 
 Chivalry and History in the "Monk's Tale"  | 
|
| 
 TOKUNAGA, SATOKO  | 
 Representing Caxton's Chaucer: Wynkyn De Worde and the Canterbury Tales  | 
|
| 
 MOESSNER, LILO  | 
 Translation Sttategies in Middle English: the Case of the Wycliffite Bible  | 
|
| 
 
  | 
||
| 
 56  | 
 NOE, KEIICHI  | 
 Postmodernism and 'Overcoming Modernity'  | 
| 
 HAROOTUNIAN, H. D.  | 
 The Problem of Representation and History  | 
|
| 
 WATANABE, KAZUTAMI  | 
 Re-reading 'Overcoming Modernity'  | 
|
| 
 DOAK, CEVIN M.  | 
 Paul Valéry, Japan, and 'Overcoming Modernity'  | 
|
| 
 GOLLEY, GREGORY  | 
 Yokomitsu Riichi, Albert Einstein, and the Science of Nation  | 
|
| 
 TANSMAN, ALAN  | 
 Beautiful Things: Yanagi Muneyoshi and Yasuda Yojūrō's Aesthetic Critique of Modernity  | 
|
| 
 TAKADA, YASUNARI  | 
 The Illusions of the Modern and the Pleasures of the Pre-Modern  | 
|
| 
 
  | 
||
| 
 58  | 
 TOYOTA, MASANORI  | 
 Stylistics Revisited in Japan  | 
| 
 ADOLPHS, SVENJA and  | 
 Point of View and Semantic Prosodies in Virginia Woolf's To the Lighthouse  | 
|
| 
 SAITIO, YOSHIFUMI  | 
 Fiction As Historical Discourse: Diachronic Analysis of the Narrative Structures of English Fiction  | 
|
| 
 SHORT, MICK  | 
 Whi Is Stylistics and What Use is She to Students of English Language and Literature?  | 
|
| 
 MIYAUCHI, HIROMU  | 
 Rhyme Style: With Examples From Larkin, Yeats and Heaney  | 
|
| 
 INOUE, NORIKO  | 
 The Exploitation of Meter for Stylistic Purposes in the Three Alliterative Poems of the Cotton Nero Manuscript  | 
|
| 
 
  | 
||
| 
 59  | 
 TAKAMIYA TOSHIYUKI  | 
 In Memory of Shinsuke Ando (1932-2002)  | 
| 
 BEADLE RICHARD  | 
 Shinsuke Ando and Cambridge  | 
|
| 
 BOITANI PIERO  | 
 Shinsuke  | 
|
| 
 BREWER DEREK  | 
 Shinsuke Ando  | 
|
| 
 BURROW JOHN  | 
 In Perugia and Tokyo  | 
|
| 
 IWASAKI HARUO  | 
 Ando-san and I  | 
|
| 
 STANLEY ERIC G.  | 
 Professor Shinsuke Ando  | 
|
| 
 TAKADA YASUNARI  | 
 quid takadae pro quo andonis  | 
|
| 
 YAMAMOTO SHOU  | 
 How I Came to Know Ando-san  | 
|
| 
 YAMANOUCHI HISAAKI  | 
 In Memoriam: Professor Yasunari Takahashi (1932-2002)  | 
|
| 
 THWAITE ANTHONY  | 
 Brilliant Companion -- An obituary reprinted from The Independent (27th June 2002) --  | 
|
| 
 CASEY JOHN  | 
 A Cultural Bridge between Europe and a New Japan --An obituary reprinted from The Guardian (16th July 2002)--  | 
|
| 
 CHON RUBY  | 
 Neary Thirty Years of East-West Friendship  | 
|
| 
 BRATER ENOCH  | 
 A Meeting at the Beaubourg  | 
|
| 
 BATE JONATHAN  | 
 My Memory of Professor Takahashi  | 
|
| 
 HOLLAND PETER  | 
 Remembering Laughter  | 
|
| 
 GREENBLATT STEPHEN  | 
 Ya-ya-koshi-ya!  | 
|
| 
 NOMURA MANSAI  | 
 The Lessons of the Master  | 
|
| 
 GIBSON ANDREW  | 
 Respecting Endings: Kokoro in a European Context  | 
|
| 
 BOITANI PIERO  | 
 Dante and Christendom  | 
|
| 
 AGARI MANABU  | 
 Linguistic Layers in Caxton's Malory  | 
|
| 
 FITZSIMONS ANDREW  | 
 Thomas Kinsella, Ireland and the Real  | 
|
| 
 
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| 
 60  | 
 LLOYD-MORGAN, CERIDWEN  | 
 Welsh Books in the Fifteenth Century   | 
| 
 HARDMAN, PHILLIPA  | 
 Evidence of Readership in Fifteenth-Century Household Miscellanies  | 
|
| 
 BOFFEY, JULIA and  | 
 Bodleian MS Arch. Selden. B. 24: the Genesis and Evolution of a Scottish Poetical Anthology  | 
|
| 
 GILLESPIE, ALEXANDRA  | 
 Balliol MS 354: Histories of the Book at the End of Middle Ages  | 
|
| 
 TOKUNAGA, SATOK  | 
 O A Digital Approach to the History of the Book: The Case of Caxton  | 
|
| 
 
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