61 |
STANLEY, ERI G.C |
Defining Literary Kinds and the Individuality of the Text: Epics and Romances |
PHILLIPS, HELEN |
Scott and Chaucer: Ekphrasis, Politics, and the Past in The Antiquary |
|
GORDON, JAN B. |
Pater and the 'Transparent Body' of Fin de Siécle Culture |
|
OZAWA, SHIZEN |
Rewriting Travel: A Reading of the Two Versions of “The City of Dreadful Night” |
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62 |
FISIAK, JACEK |
Some Remarks on Middle English Word Geography |
OGURA, MICHIKO |
Lexical Comparison between the Glosses of the Vespasian Psalter and the Regius Psalter |
|
MATSUMOTO, HIROYUKI |
Some Observations on Dialectal Comparision between Nine Middle English Poems |
|
KAY, CHRISTIAN and ROBERTS, JANE |
Definitions for A New Age |
|
SMITH, JEREMY J. |
Patterns of Sound in Middle English and Older Scots Verse |
|
HOROBIN, SIMON |
Southern Copies of the Prick of Conscience and the Study of Middle English Word Geography |
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63 |
ANTHONY THWAITE |
George Herbert: A Poet's View Takahashi Memorial Lecture |
SARAH L. PEVERLEY |
'A Good Exampell to Avoide Diane': Reader Responses to John Hardying's Chronicle in the Fifteenth and Sixteenth Centuries |
|
JOHN LEE |
Refrains and Echoes: Spenser's Amoretti and Epithalamion |
|
ISAMU TAKAHASHI |
Is Byron a True Manichaean? A Conservative Reply to Romantic Revisionism |
|
CHIHO OMICHI |
Pilgrimage in London: Dorothy Richardson and the Search for Feminine Space in Science and Socialism |
|
THOMAS HEYD |
The Unity of Bashō's Narrow Road to the Interior: Vision Quest and Pilgrimage |
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64 |
JOHN HATCHER |
Binyon, Stevens, Pound, Eliot. |
ROBYN BOLAM |
Re-rooting and Re-routing: Identity, Influences, and Intertextuality in the Poetry of Denise Levertov. |
|
PETER ROBINSON |
Wallace Stevens and British Poetry in the 1950s. |
|
TOMOYUKI IINO |
Ancient Forms Revisited: W.H. Auden's Influence on John Ashbery. |
|
LANGDON HAMMER |
James Merrill's Double Life: “The Thousand and Second Night” |
|
KEITH TUMA |
On Tom Raworth on Tom Raworth. |
|
MASAMI NAKAO |
America in Muldoon / Muldoon in America. |
|
ROD MENGHAM |
Ashbery's Traditions. |
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65 |
Sukehiro Hirakawa |
Lafcadio's Nightmares |
Katsuya Sugawara |
Thinker in Colors--Lafcadio Hearn's Color-ful Descriptions of La Martinique and Yokohama |
|
Yoshifumi Saito |
A Hard-Earned Lesson to Hearn and a Hard Lesson to Learn |
|
Yoko Makino |
Hearn and "Orpheus"--His Art of Retelling Stories of Old Japan |
|
Ciaran Murray |
The Protean Fox in Hearn and Yeats |
|
Muriel Détrie |
Lafcadio Hearn's Reception in France |
|
66 |
MAŁGORZATA FABISZAK |
Emotions of Control in Old English: SHAME and GUILT |
HANS SAUER |
Ælfric and Emotion |
|
MICHIKO OGURA |
Old and Middle English Verbs of Emotion |
|
ERIC G. STANLEY |
FEAR chiefly in Old and Middle English |
|
LILIANA SIKORSKA |
Dealing with ANGER: Robert of Cisyle and the Medieval Didactic Tradition |
|
HANS-JÜRGEN DILLER |
Medieval “With a Mood” and Modern “In a Mood”: Changing a Metaphor we Live by |
|
67 |
ERIC G. STANLEY |
LAURENCE MINOT'S ‘TEN LYRICK POEMS, of singular merit, upon the principal events of the reign of the then monarch, king Edward the third.’ |
AD PUTTER |
Chaucer's Verse and Alliterative Poetry: Grammar, Metre, and Some Secrets of the Syllable Count |
|
Paule MERTENS-FONCK |
The Canterbury Tales and the via moderna |
|
YOSHIHIRO SHIRATORI |
The Journal of a Voyage to Lisbon: Henry Fielding's Art of Tormenting |
|
HISAO ISHIZUKA |
The Zoas' Kingdom: William Blake and Eighteenth-Century Natural History |
|
RIO OTOMO |
Mishima Yukio's ‘Sex which is not One’ |
|
68 |
MASAAKI TAKEDA |
"Divided Hearts, United States": Daniel Defoe, James Hodges, and the Debate on the Anglo-Scottish Union |
HERMANN J. REAL |
Facta Sunt Servanda: or, A Plea for a (Swiftian) Return to Scholarly Sanity |
|
SABINE BALTES |
Graceful Theatrical Properties: Popular Irish Dramatists in Eighteenth-Century England |
|
YOSHIHIRO SHIRATORI |
Too Improbable to be Untrue: A Clear State of the Case of Elizabeth Canning and the End of Henry Fielding's Literary Career |
|
NORIYUKI HARADA |
Facts, Methods, and Literary Creativity in Samuel Johnson's Life of Savage |
|
WILLIAM HARDIE |
Portraits of Dr Johnson in their Georgian Context |
|
69 |
ANN THOMPSON AND NEIL TAYLOR |
The Challenge of Editing Hamlet Today |
SARAH L. PEVERLEY |
'Loke well about, ye that lovers be' (IMEV 1944) and |
|
SETSUKO HARUTA |
"Uncle Pandarus vs. Aunt Criseyde" |
|
YOICHI KANEKO |
Law and Evidence in Joseph Andrews |
|
KIMIYO OGAWA |
"As judgment improves, genius evaporates": |
|
MASAHIKO ABE |
Reticence against the Plot: |
|
70 |
MIWA ISOBE AND WILLIAM SNYDER |
Child Language Acquisition As a Source of Evidence for Parameters |
KOJI SUGISAKI |
Evaluating Syntactic Analyses with Children |
|
Akiko Terunuma |
Children's Scope Construal in Negative Sentences Containing a Quantifier |
|
Harumasa Miyashita |
Emergence and Demise of Object Shift in the History of English: |
|
Kayono Shiobara |
Determinants of the Freedom of Rearrangement |
|
CHRISTOPHER TANCREDI |
Six Names Cicero, and Why One Model is Never Enough |
|
71 |
Elaine Treharne |
The Architextual Editing of Early English |
Alison Wiggins |
Editing Middle English Romance: Problems and Prospects |
|
Ad Putter |
Metre and the Editing of Middle English Verse: |
|
Susanna Fein |
The Epistemology of Titles in Editing Whole-Manuscript Anthologies: |
|
Derek Pearsall |
The Text of Piers Plowman: Past, Present and Future |
|
Jason Powell |
Editing Wyatts: Reassessing the Textual State of Sir Thomas Wyatt's Poetry |
|
72 |
CHRISTOPHER BONFIELD |
Medical Advice and Public Health: Contextualising the Supply and Regulation of Water in Late Medieval London and King's Lynn |
NA'AMA COHEN-HANEGBI |
The Matter of Emotion: Priests and Physicians on the Movement of the Soul |
|
MARLEEN CRE |
The Literary Significance of Illness in Julian of Norwich's A Vision Showed to a Devout Woman |
|
IRMA TAAVITSAINEN |
‘My brother Ihesu Crist that is the principal leche…’: Religious Discourse in Middle English Medical Writing |
|
PETER MURRAY JONES |
The Surgeon as Story-Teller |
|
DENIS RENEVEY |
A Medieval Heteroglossia: Expressing Disease and Healing in Late Medieval England |
|
NAOE KUKITAYOSHIKAWA |
Mysticism and Medicine: Holy Communion in the Vita of Marie d' Oignies and The Book of Margery Kempe |
|
73 |
Derek Brewer |
A note on The World of Chaucer |
Anthony Thwaite |
Derek Brewer a personal note |
|
Hisaaki Yamanouchi |
In Memoriam Professor D. S. Brewer: Some Spots of Time |
|
Toshiyuki Takamiya |
Professor Derek Brewer and I |
|
Eric G. Stanley |
Violence in England at a Time of Great English Prose |
|
A. C. Spearing |
Was Chaucer a Poet? |
|
Yasunari Takada |
Chaucer's Allergy |
|
Isabella Neale Yeager with |
Did Gower Love His Wife? And What Has It to Do with the Poetry? |
|
Peter Murray Jones and Lea T. Olsan |
Takamiya MS 61: a book of experiments |
|
Timothy Graham |
William Elstob's Planned Edition of the Anglo-Saxon Laws: A Remnant in the Takamiya Collection |
|
74 |
JOHN W. P. PHILLIPS |
Philosophical Logic, Concrete Poetry |
GONZALO AGUILAR |
The Hispanic American Sphere: A Dispersing Tradition |
|
RUI TORRES |
Concrete Poetry in Portugal Experimentalism and Intermediality |
|
MARINA CORRÊA |
Questions to Augusto de Campos |
|
JESPER OLSSON |
Squeezed Language: Concrete Poetry and New Media in the Swedish 1960s |
|
TANIA ØRUM |
Open to a Changing World: Concrete Poetry in Denmark |
|
TOMOYUKI IINO |
Katsue Kitasono and Japanese Concrete Poetry |
|
CHRISTIAN BÖK |
The Odalisques |
|
75 |
YOUNG-BAE PARK and GABY WAXENBERGER |
Old English Runes and Runic Inscriptions: The State of Art |
ANTONETTE DIPAOLO HEALEY |
Old English héafod 'head': A Lofty Place? |
|
Michiko Ogura |
God's Love and Love of God |
|
ROBERT D. STEVICK |
Historical Evidence for Divisions of Old English Poetic Texts |
|
ERIC G. STANLEY |
Juliana Laid to Rest with Songs of Praise, and the Glories of Cynewulf's Poetic Art |
|
JOYCE HILL |
Ælfric and Heiric of Auxerre |
|
HANS SAUER and WOLFGANG MAGER |
Caxton's Ovid, or the Metamorphoses Transformed |
|
76 |
ALAN BEWELL |
De Quincey and Mobility |
FELICITY JAMES |
Thomas Manning, Charles Lamb, and Oriental Encounters |
|
KEIKO IKEDA |
Mis-understanding the Past: The Decipherment of Hieroglyphs and Romantic Works |
|
MIE GOTOH |
"When sages looked to Egypt for thier lore": Egyptian Art and the Threat of Visuality in Keat's Hyperion |
|
YOSHIKI NAKAMURA |
The Scope of Coleridge's Liberalism: In Light of American Transcendentalism |
|
77 |
NATALIA I. PETROVSKAIA |
Oaths, Pagans and Lions: Arguments for a Crusade Sub-Narrative in Historia Peredur fab Efrawc |
YOSHINOBU KUDO |
Shrewd Negotiation in the Guise of Gentilesse in Chaucer's Franklin's Tale |
|
EDWARD DONALD KENNEDY |
Malory and Political Prophecy |
|
RYOKO HARIKAE |
Caxton's Revision of Le Morte Darthur: The Tudor Propaganda and Self-Filling Political Prophecy |
|
YOSHIKI NAKAMURA |
John Bellenden's Use of Source Materials in Book 16 of the Chronicles of Scotland |
|
HISAYO OGUSHI |
A Stolen Story: Hannah Adams and the Unitarian Controversy |
|
78 |
BRETT DE BARY |
World Literature in the Shadow of Translation: Reconsidering Tawada Yōko |
FAYE YUAN KLEEMAN |
Exophony and the Locations of (Cultural) Identity in Levy Hideo's Fiction |
|
IRENA HAYTER |
Technologies of Estrangement: Dazai Osamu, "Flowers of Buffoonery" |
|
ATSUKO SAKAKI |
Photography as Corporeal Reproduction: Swapping Pregnancy for Photography in Kanai Mieko's Tama-ya |
|
JONATHAN E. ABEL |
Gulliver in Japan in Gulliver's in Japan: Or, How to Translate Nation as Virtual, Possible, and Embedded |
|
TOMOKO SHIMIZU |
Translating Atomic Culture: Walt Disney and the Children of Science in Japan |
|
BARYON TENSOR POSADAS |
The Sky Crawlers and the Transmediation of Science Fictional Worlds |
|
79 |
JASON WHITTAKER |
Everyday Blake and the Digital Humanities |
AYAKO WADA |
Turning the Pages: Blake's Notebook and its Digital Transformation |
|
ANGUS WHITEHEAD |
The William Blake Archive in Singapore: 'Images of wonder' for 'Children of the future Age'? |
|
AKIKO SONODA |
What Would Blake Say about the Blake Archive and Today's Digitalization? |
|
TRISTANNE CONNOLLY |
ÅeDiverse Little Pictures': Erasmus Darwin's Loves of the Plants and Isabella Rossellini's Green Porno as Interactive Media |
|
JOHN W. P. PHILLIPS |
Vox populi: Hölderlin and the Digital Hecatomb |
|
AKEMI YOSHIDA |
Voice and Presence in Callas Forever |
|
DANIEL GALLIMORE |
Sir Walter Scott and the Romanticism of Tsubouchi Shōyō |
|
AKIKO KAWASAKI |
Translating and Transmitting Illness: Chbarlotte Brontë and Victorian Informatics |
|
KENICHI KURATA |
George Eliot's Middlemarch as Romantic Self-critique |
|
NORIO YAMAGUCHI |
Digital Waugh: Pastral and Architecture in Dramatisations of Brideshead Revisited |
|
DAVID TAYLOR |
Digital Beckett: Dramatic Variants Onscreen and Online |
|
80 |
HARUO SHIRANE |
Japan, Satoyama, and the Culture of the Four Seasons: Secondary Nature, Cultural Inversion, and Social Conflict |
FABIO RAMBELLI |
Buddhist Environmentalism: Limits and Possibilities |
|
MASAMI YUKI |
Analyzing Satoyama: a Rural Environment, Landscape, and Zone |
|
MAYUMI TOYOSATO |
Beyond the Satoyama Tradition: Unsettling Landscapes in the Writings of Morisaki Kazue and Nashiki Kaho |
|
CHRISTINE L.MARRAN |
The Domestic Turn in Ecocritical Writing: Ariyoshi Sawako's Cumulative Pollution |
|
KAREN L.THORNBER |
Overwhelming Disease and Nature: New Perspectives on Ariyoshi Sawako and Amitav Ghosh |
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